![]() So many of the story beats do read like a Western actually you’ve got ranchers under threat, blackmail, dodgy law-keepers and a hired gun who has drifted into town to save the day… classic stuff, but when it’s set against a futuristic/retro backdrop with Vampires and mutants, I think I see why the film really stood out when it was first released. Vampire Hunter D ( D Banpaia Hantā Dī) 1985 Looking back to another classic for this review – this time it’s Vampire Hunter D which is very much a ‘monster hunting other monsters’ film but while there are definite horror aspects present, the Western and post-apocalyptic/sci-fi elements are probably just as clear. (And whether that was done in part to placate US censors or audiences, I obviously can’t say, but it was a nice change from Kawajiri). Vampire Hunter D: Bloodlust is also something of a tragic love story and so if you’re looking for the kinda crass sexual content sometimes found in his other films, you won’t get it here. I think Bloodlust is not as much a gore-fest either, and perhaps it’s even somewhat toned down for Yoshiaki Kawajiri, who was behind Ninja Scroll, Wicked City etc. On almost every level this adaptation is superior to the 1985 one, though in a way it’s not as bold, nor do we get the same feel for D as a character this time around. (It’s not until later that we meet the real Vampires once again the arrogant noble-types). ![]() The opening alone feels like a lesson in establishing both setting and mood – but it soon leads to the main plot – the rescue mission of a maiden ensnared by a vampire, and then it’s straight to the first impressive fight sequence as D and competing bounty hunters rip through some of the shambling zombie-type vampires. ![]() There’s not a lot of time for character development either, but the scene-setting and atmosphere-building (via the creepy OST and the beautifully gothic visuals) aren’t ignored by any stretch. There’s still room to breathe and reflect here and there, and plenty of fighting and gore, but the pacing is brisk as D seeks his bounty through increasingly grim scenes. I like it because it’s more functional in terms of a descriptor – since the film is kinda one long chase sequence. Instead, the source material probably has a more accurate title perhaps – the third novel in Hideyuki Kikuchi’s series that makes up the key aspects of the movie was called Demon Deathchase.
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